{"id":184,"date":"2009-04-26T10:55:30","date_gmt":"2009-04-26T08:55:30","guid":{"rendered":"http:\/\/www.forlane.org\/a\/?p=184"},"modified":"2016-05-05T22:48:19","modified_gmt":"2016-05-05T20:48:19","slug":"scherzi-musicali","status":"publish","type":"post","link":"https:\/\/www.forlane.org\/a\/?p=184","title":{"rendered":"Scherzi musicali"},"content":{"rendered":"<table style=\"height: 110px;\" width=\"473\" bgcolor=\"#ffecce\">\n<tbody>\n<tr>\n<td valign=\"top\">\n<p class=\"vspace\" style=\"text-align: center;\"><strong>Scherzi musicali<br \/>\nde Rome \u00e0 Venise, musique italienne du 17\u00e8me si\u00e8cle<\/strong><\/p>\n<p class=\"vspace\" style=\"text-align: center;\"><a href=\"https:\/\/www.forlane.org\/a\/wp-content\/uploads\/2015\/04\/SM-Affiche-v4.png\"><img loading=\"lazy\" class=\"aligncenter size-large wp-image-185\" src=\"https:\/\/www.forlane.org\/a\/wp-content\/uploads\/2015\/04\/SM-Affiche-v4-424x600.png\" alt=\"SM-Affiche-v4\" width=\"424\" height=\"600\" srcset=\"https:\/\/www.forlane.org\/a\/wp-content\/uploads\/2015\/04\/SM-Affiche-v4-424x600.png 424w, https:\/\/www.forlane.org\/a\/wp-content\/uploads\/2015\/04\/SM-Affiche-v4-212x300.png 212w, https:\/\/www.forlane.org\/a\/wp-content\/uploads\/2015\/04\/SM-Affiche-v4.png 595w\" sizes=\"(max-width: 424px) 100vw, 424px\" \/><\/a><\/p>\n<p class=\"vspace\" style=\"text-align: center;\"><a class=\"urllink\" href=\"http:\/\/www.forlane.org\/AL\/uploads\/Main\/ScherziMusicali-3p-v4.pdf\" rel=\"nofollow\"><em>t\u00e9l\u00e9charger le dossier de pr\u00e9sentation<\/em><\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"vspace\" style=\"text-align: center;\">\u00ab Jeux musicaux \u00bb, selon le titre du recueil de Claudio Monteverdi publi\u00e9 en 1607 : jeux de caract\u00e8res et de styles, jeux d&rsquo;oppositions ou d&rsquo;imitations, jeux d&rsquo;ornementation voire d&rsquo;improvisation. Il s&rsquo;agit avant tout de jouer non pas sur mais avec les mots, de mettre la force d&rsquo;expression de la musique au service du texte, qu&rsquo;il soit profane ou religieux.<\/p>\n<p class=\"vspace\" style=\"text-align: center;\">Car ce d\u00e9but de si\u00e8cle en Italie voit na\u00eetre le r\u00e9citatif accompagn\u00e9 et la basse continue, \u00e9l\u00e9ments de base des premiers op\u00e9ras, cantates et oratorios.<\/p>\n<p class=\"vspace\" style=\"text-align: center;\">P\u00e9riode d&rsquo;invention effervescente, mais aussi joyeuse et g\u00e9n\u00e9reuse comme en t\u00e9moignent les titres des recueils publi\u00e9s : \u00ab Scherzi musicali \u00bb, \u00ab Fiori musicali \u00bb, \u00ab Nuove musiche \u00bb, \u00ab Selva di varie compositioni \u00bb&#8230;<\/p>\n<p class=\"vspace\" style=\"text-align: center;\">Ce plaisir du jeu, c&rsquo;est aussi celui de jouer et chanter cette musique, et c&rsquo;est tout ce que souhaitent partager les musiciens des Amusemens Lyriques.<\/p>\n<p class=\"vspace\" style=\"text-align: center;\"><strong>Programme :<\/strong><br \/>\nOeuvres de : Claudio Monteverdi<br \/>\n(extraits des Scherzi Musicali &#8211; 1607)<\/p>\n<p class=\"vspace\" style=\"text-align: center;\">Sigismondo d&rsquo;India<br \/>\n(Le musiche del signor Sigismondo d&rsquo;India &#8230; : libro quarto, 1621)<\/p>\n<p class=\"vspace\" style=\"text-align: center;\">Girolamo Frescobaldi<br \/>\n(Arie musicali &#8211; Florence, 1630 &amp; Canzoni da sonare a una, due, tre et quattro voci &#8211; Rome, 1628 &amp; 1634)<\/p>\n<p class=\"vspace\" style=\"text-align: center;\">et<br \/>\nTarquinio Merula, Maurizio Cazzati, Samuel Capricornus, Giuseppe Giamberti, Baldassare Donati<\/p>\n<p class=\"vspace\" style=\"text-align: center;\">Ce programme a \u00e9t\u00e9 pr\u00e9par\u00e9 avec l&rsquo;aide musicale de Judith Pacquier.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scherzi musicali de Rome \u00e0 Venise, musique italienne du 17\u00e8me si\u00e8cle t\u00e9l\u00e9charger le dossier de pr\u00e9sentation \u00ab Jeux musicaux \u00bb, selon le titre du recueil de Claudio Monteverdi publi\u00e9 en 1607 : jeux de caract\u00e8res et de styles, jeux d&rsquo;oppositions ou d&rsquo;imitations, jeux d&rsquo;ornementation voire d&rsquo;improvisation. Il s&rsquo;agit avant tout de jouer non pas sur &hellip; <a href=\"https:\/\/www.forlane.org\/a\/?p=184\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Scherzi musicali<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":187,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[32,27,30],"_links":{"self":[{"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=\/wp\/v2\/posts\/184"}],"collection":[{"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=184"}],"version-history":[{"count":4,"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=\/wp\/v2\/posts\/184\/revisions"}],"predecessor-version":[{"id":227,"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=\/wp\/v2\/posts\/184\/revisions\/227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=\/wp\/v2\/media\/187"}],"wp:attachment":[{"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forlane.org\/a\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}